So on Friday night I read A Study in Scarlet. It was shorter than I remembered. But then, it’s been a while since I’ve read it. Possibly a very long while. I started to feel these echoes of familiarity as soon as I laid eyes on the inscription on the first page and the feeling did not go away until I put the book down a couple of hours later.
And I was struck by the thought that perhaps the last time I really read any of the original Sherlock Holmes stories was when I was eleven. Because that was the year I wrote my first book. Well, ‘book’ may be rather generous. I just looked at it (really shouldn’t do that, it’s embarrassing) and it’s all of twelve thousand words long. Still. I was eleven. So, book.
Generally, I say I wrote my first book when I was finishing my honours (seventy thousand words, contemporary YA and only moderately shameful, I keep wondering if I should strip mine it for my other books or hold out hope that one day I’ll be able to face rewriting it and bringing it up to scratch). But in the back of my head my first book is the one I wrote in year seven. It was the first story I really finished. The first thing I was proud of. (*Ahem* Yes. Well. We do not speak of it.)
It’s not atrocious for eleven (I say with the rosy glow of narcissism). It’s just clichéd and derivative and predictable. And the dialogue isn’t very good. Which shames me to my very soul. The thing is, despite the massively unimaginative building blocks, there’s some parts of it which are downright peculiar. Not in the way of the story I wrote trading chapters with my sister that was about time-travelling adventurers that seemed to spend an awful lot of time in the amazon with laser pistols and belonged by all rights in the pulp stylings of the fifties, but just… oddly out of place.
I mean, it’s fantasy, okay? Not dragons and magic fantasy, but straight up medieval. I was fascinated with Arthurian legends, Robin Hood, and castles (I could probably still design a decent one on the fly). So, it’s medieval, and there are horses and barons, horrific gender inequality and castles (seriously, very fond of castles). And, because it’s one of my books it starts with someone being hit over the head and includes a number of secret in-jokes about people’s names (yes, even then).
But, despite tripping enthusiastically through fantasy elements as I was, the hero isn’t a knight or a prince or whatever-the-hell. He’s an astronomer. A scientist. A guy who is very observant, and terribly clever and wanders into a situation where he solves a mystery.
And I flipped open the front page of A Study in Scarlet and went, Oh.
Because under ‘Part I’ the text reads: Being a reprint from the reminiscences of JOHN H. WATSON, M.D., late of the Army Medical Department. And while I could not with any confidence tell you the plot of the novel I so carefully penned at eleven, the title is still deeply engraved in my brain: Being the Fourth Part of the Memoirs of the Astronomer Keltorn Arbez (yes, I am very, very bad at titles) .
It’s… remotely possible this is a coincidence. Then again, an awful lot of the inconsistencies in style away from traditional fantasy could be explained if I stopped describing it as a fantasy novel and started calling it Arthurian Robin Hood Sherlock.
So that’s… you know… a thing.
Wendy
28/02/2012
My first book was a 25K novelisation of The Lion King 😛 Because I wanted to read it as a novel but I don’t believe such a thing existed… oh god, I was writing fanfic at age eleven.
Kandace Mavrick
28/02/2012
Heh. I’ve never actually written fanfiction, but I do remember mentally replotting a few stories so the characters I loved had happy endings. There was an art to it — finding the smallest possible change you could make so everything turned out fine.
This is also possibly WHY I never wrote them. You make those changes and what you have isn’t a story anymore. Or if it is, it’s a terrible awful story because nothing bad ever happens.
Wendy
28/02/2012
I remember going through every book in the Black Trillium series and highlighting the passages where everyone was happy and people’s various love interests were not at odds with each other (so that I could just read through all the pleasant scenes when I needed cheering up).
Very few pages actually got highlighted and I realised that throughout all the books the only places with significant highlighting were in the middle! It made me look at the story arc in a completely different light.
Although reading this Wikipedia article I now understand why the continuity bothered me so much… http://en.wikipedia.org/wiki/Trillium_series
Kandace Mavrick
28/02/2012
That is a really interesting way to write a book. I’m not surprised they ended up with continuity issues 😛
I know what you mean about focusing on the happy bits. I don’t think I could skip like that, but when I read the Paksenarrion series I have to exert iron self-control to get past the middle of the second book, because everything is nice at that point, things are relatively resolved, and everything that comes after is GLOOM and DOOM and DEATH and TORTURE.
Wendy
28/02/2012
Aha! It’s on TV Tropes. It turns out I’m a fan of the Black Trillium, Blood Trillium, and then Sky Trillium version of the continuity – the other version is Black Trillium, Blood Trillium, Golden Trillium and then Lady of the Trillium.
That figures, as I actually ended up giving away my copies of Golden and Sky in highschool and then proceeded to pretend that they didn’t exist. At least now I realise I wasn’t completely mad.
Until I started writing that last comment, though, I’d forgotten that series even existed. It is probably in one of my boxes-of-books-there-is-no-room-for-in-the-house. I have a lot of those boxes.
Kandace Mavrick
28/02/2012
Aw, those kinds of boxes make me sad. Although we may or may not have shelves in our garage for similar reasons…
arkayspark
29/02/2012
You have to have a house that’s all shelves .. And spine catalogue the books. And still spend time trying to find what you want